Stirrings Magazine (August 2007).
"... she is defiantly a solo artist, affording us an intimate glimpse into her own distinctive and private creative world. Hers is an unusual and intriguing soundscape, rejoicing in a subtle and unpretentious use of a variety of instrumental colours and timbres"..."...with unobtrusive production by Robert Harbron, there's a homespun, primitive immediacy to the proceedings that's really attractive"..." ...Kate's songwriting is honest and succinct, understated and refreshingly non-self-indulgent,"..."...The standout tracks for me are highly contrasted: on one hand the disturbing, stark and broodingly strange Midnight, which tells of a modern-day haunting, and on the other the comforting haven of the beautiful Beyond The Silence."...
"Kate's work is quietly stunning..."
Reviewer: David Kidman.
Read the full review online.
Muse Magazine (August 2007).
"...inspiring arrangements of traditional songs. My immediate reaction to hearing the music of the Dorset songstress was very pleasurable."...."Kate's haunting vocals result in desolate and beautiful renditions."..."Kate Fletcher has created a down to earth folk album which seems to transport you outside of the confines of your home into the countryside's open spaces and rolling hills."
Go to the Muse Magazine website.
Sacred Hoop Magazine (Summer 2007).
Kate Fletcher, a good English name for a good English singer with a considerable amount of good feel for good traditional English music flowing from her first solo CD. Her voice and style come across as very traditional folk, and four of the songs are folk songs, the rest all bar one, are written by Kate herself. She also plays most of the instruments herself too, including one I had never heard of - kantele, a Finnish plucked psaltery.
The songs range from love songs to songs about the elements and the four directions, spells and witchcraft, Pennant valley (the shambhala of Mid Wales), and the San Bushmen. All the songs are well crafted and played, with no evidence of any self indulgence. Throughout her voice is charming and strong, and I especially like the song she wrote for Pennant, which I first heard on a day of 'wall to wall computing'. It made me stop and wonder what the hell I was doing typing a keyboard all day long.
Reviewer: Nick Wood.
Go to the Sacred Hoop Website.
The Druid Network.
The blurb on this CD says it is a 'startling collection of womanly songs' and this is very much the case. Here there are spells and ballads, and each one feels wholly to be the call and cry of the female soul. Each is sung with a softly clear voice, to acoustic instruments (guitar, oboe, kantele), all played and sung by the artist except the mouth bow, played by Corwen ap Broch. There is a medieval element in places, which is where I feel she is most successful and captivating. Other sources of inspiration are Northern European and the Kalahari, but always she is haunting in her expression of emotion - not always raw but ethereal and questioning. It is worth listening to as a whole, and some tracks are worth dissolving into completely.
Reviewer: Emma Restall-Orr.
Go to the Druid Network Website.